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The increasingly inaccurately-named blog of journalist and futurist Chris Taylor. Either the most sporadically brilliant amateur blog, the most brilliantly amateur sporadic blog, or the most amateur sporadic brilliance on the Web since 2001.


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I'm the newly-appointed Future editor at Business 2.0 and the former San Francisco correspondent for Time Magazine.

Wow, so does this mean everything you write reflects Time Inc's opinion? Or do you perhaps have some sort of standard disclaimer to the effect that it doesn't?

Naturally, the opinions contained in this blog are not those of my employers. In fact, some opinions may be the polar opposite of my employers. Some may be the same, for all I know. Hey, it's not like I ask my employers their opinions about everything in the news, okay? Let's just say that if this were a Venn diagram with one circle marked "my opinions" and the other one marked "my employers' opinions", there would doubtless be some overlap. But neither I nor my employers are able to pinpoint exactly where that overlap is.

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An experiment for a column I wrote about blogging back in December 2001. All these years later, I haven't been able to kick the habit.

Do you write any other blogs, by chance? Could that have something to do with the fact that Daily Blah isn't always Daily?

Yes -- the Future Boy blog for Business 2.0. And yes. If you want true, editorially-mandated daily coverage from me, that's probably the best place to look.

Mister, you talk funny. Are you one of them furrners?

Why yes I am, as it happens. I was born, raised and educated in Great Britain. I've been living in the U.S. since 1996 and identify as British.

I say, old chap, you forgot the "u" in "colour."

No I didn't. I may identify as British, but I am also an American journalist writing for an American audience about mostly American issues. These two different sides of me are a constant source of tension. Nevertheless, Daily Blah will adhere to American English grammar and spelling.





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Chris Taylor


Daily Blah for... Monday, February 27, 2006

Alone With the Muses
To the Victoria & Albert for the first time. It turned out to be a calm oasis of eternal culture in South Kensington, and another very good reason to love London despite the cold and the evil bare trees. Fell in love with a couple more paintings from Burne-Jones, an artist who never fails to affect me. The three muses dancing to a tune by Apollo by an old mill at sunset tore my heart out. Something this Victorian mind saw that is lost to us, something about essential impermanence and slow grace, resonates in every drop of paint on his canvas, every pencil-soft grey outline of a sad, shimmering pale-gold girl. His characters always seem in danger of fading away, as if the overpowering beauty of his landscapes is sucking the life out of them.



And the advantage of doing London museums on a cold Monday in February, I see now -- I had the paintings, the muses, the mechanical gidgets of three centuries and some outrageous chandeliers practically all to myself.


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